"His work reflects the Cubist reduction of form to geometric essentials — alongside the use of color as a structural force."
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Jacques ChauvinWatercolor on Paper11 3/4 X 8 1/4Signed; Auction stamp on back; Notation on backShow More -
Jacques ChauvinInk on Colored Paper12 1/2 X 9 1/2Initialed and dated; Auction stamp on backShow More -
Jacques ChauvinInk on Colored Paper12 1/2 X 9 1/2Initialed and dated; Auction stamp on backShow More -
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Jacques ChauvinPen & Ink on Colored Paper12 1/2 X 9 1/2Initialed and dated; Auction stamp on backShow More -
Jacques ChauvinPen & Ink on Illustration Board17 3/4 X 15Initialed and dated; Auction stamp on backShow More -
Jacques ChauvinPen & Ink on Illustration Board17 3/4 X 15Initialed and dated; Auction stamp on backShow More -
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Jacques ChauvinPen & Ink on Paper22 x 15 in
55.9 x 38.1 cmInitialed and dated; Auction stamp on backShow More -
Jacques ChauvinPen & Ink on Paper22 x 15 in
55.9 x 38.1 cmInitialed and dated; Auction stamp on backShow More -
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Jacques ChauvinPen & Ink on Paper22 x 15 in
55.9 x 38.1 cmInitialed and dated; Auction stamp on backShow More -
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Jacques ChauvinPen & Ink on Paper9 1/2 x 12 1/2 in
24.1 x 31.8 cmInitialed; Auction stamp on backShow More -
Jacques ChauvinPen & Ink on Paper9 1/2 x 12 1/2 in
24.1 x 31.8 cmInitialed and dated; Auction stamp on backShow More -
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Jacques ChauvinPen & Ink on Paper21 1/4 X 14 3/4Initialed and dated; Auction stamp on backShow More -
Jacques ChauvinPen & Ink on Paper21 1/4 X 14 3/4Initialed and dated; Auction stamp on backShow More -
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Jacques Chauvin was born in France in 1911 and came of age in Paris during one of the most fertile periods in the history of modern art. A graduate of the École des Beaux-Arts, he immersed himself in the intellectual and aesthetic ferment of the early and mid-twentieth century — a moment when the city's studios, galleries, and salons were redefining the possibilities of form, color, and space.
Chauvin was drawn to the artists at the center of that transformation. He followed the work of Picasso, Braque, Matisse, Miró, Calder, and Cocteau, and moved within the art and literary salons where these figures circulated. Their influence shaped his practice directly: his work reflects the Cubist reduction of form to geometric essentials, as developed by Picasso and Braque, alongside the use of color as a structural force in the manner of Matisse.
Well regarded among his peers, Chauvin chose to work outside the public eye. He never exhibited, preferring instead to pursue his own inquiry into form, color, motion, and spatial relationships — a practice driven by curiosity rather than recognition. His work remained largely unknown beyond the circle of artists who knew him personally.
Chauvin died in 1986. A collection of his work has since resurfaced, bringing renewed attention to a painter who spent his career in deliberate obscurity — and whose work stands as a significant, if long-overlooked, contribution to the modernist tradition.
