Overview
Everything is possible provided that it is true.
Pierre Coquet was a French painter trained at the École des Beaux-Arts in Lyon, and a founding member of Sanzisme — a post-war movement rejecting artistic doctrine in favour of free expression between figuration and abstraction. Associated with Jacques Truphémus, Jean Fusaro, and André Cottavoz, he exhibited internationally from the late 1940s and went on to develop a quietly powerful body of work spanning still lifes, Parisian rooftops, and the landscapes of southern France. His practice was guided by a deeply held conviction: "Everything is possible provided that it is true."
Works
  • Pierre Coquet
    Oil
    41 1/2 x 29
    signature stamp
  • Pierre Coquet
    Oil
    39 1/2 x 29
    signature stamp
  • Pierre Coquet
    Oil
    30 x 24
    Signature stamp lower right
  • Pierre Coquet
    Oil
    30 x 27
    Signature stamp lower right
  • Pierre Coquet
    Oil
    27.5 x 21
    Signature stamp lower right
  • Pierre Coquet
    Oil
    30 x 24
    Signature stamp lower right
  • Pierre Coquet
    Oil
    24 x 20
    Signature stamp lower right
  • Pierre Coquet
    Oil
    30 x 26
    Signature stamp lower right
  • Nudes
    Pierre Coquet
    Nudes
    Oil
    30 x 26
    Signature stamp lower right
  • Still life with fruits
    Pierre Coquet
    Still life with fruits
    Oil
    36 x 21
    Signature stamp lower right
  • Still life with apples and flowers
    Pierre Coquet
    Still life with apples and flowers
    Oil
    36 x 19
    Signature stamp lower right
  • Cubist Still Life
    Pierre Coquet
    Cubist Still Life
    Oil
    36 x 29
    Signature stamp lower right
  • Nudes
    Pierre Coquet
    Nudes
    Oil
    39 x 29
    Signature stamp lower right
  • Nudes
    Pierre Coquet
    Nudes
    Oil
    40 x 29
    Signed lower left
  • Pierre Coquet
    Oil
    39.5 x 27.5
    Signature Stamp
  • Still life ( cubist style)
    Pierre Coquet
    Still life ( cubist style)
    Oil
    39 x 26
    Signature Stamp
  • La cite
    Pierre Coquet
    La cite
    Oil
    32 x 26
    Signed lower left
  • Pierre Coquet
    Oil
    53 x 49
    Signature Stamp
  • Nude
    Pierre Coquet
    Nude
    Oil
    25.5 x 21
    Signature Stamp
  • Paris through the window
    Pierre Coquet
    Paris through the window
    Oil
    36 x 28
    Signed lower left
  • Les étagères
    Pierre Coquet
    Les étagères
    Oil
    36 x 25
    Signed lower right
  • Le point des Arts
    Pierre Coquet
    Le point des Arts
    Oil
    39.5 x 27
    Signed lower left
  • Pierre Coquet
    Oil
    36 x 23.5
    Signature stamp lower right
  • Pierre Coquet
    Oil
    36.5 x 29
    Signature stamp lower right
  • Pierre Coquet
    Oil
    29 x 27.5
    Signature Stamp
  • Pierre Coquet
    Oil
    9 x 7
    Signature stamp lower right
  • Pierre Coquet
    Oil
    10 x 7
    Signature stamp lower right
  • Pierre Coquet
    Oil
    39.5 x 33.5
    Signature stamp lower right
  • Pierre Coquet
    Oil
    39 x 32
    Signature stamp lower right
  • Pierre Coquet
    Oil
    25 x 20.5
    Signed lower left
  • Still life with pers
    Pierre Coquet
    Still life with pers
    Oil
    29 x 20
    Signed lower left
  • Pierre Coquet
    Oil
    29 x 22
    Signature Stamp
  • Pierre Coquet
    Oil
    21 x 21
    Signature Stamp
  • Nudes
    Pierre Coquet
    Nudes
    Oil
    36 x 30
    Signature Stamp
  • Pierre Coquet
    Oil
    26 x 20
    Signature stamp lower right
  • Pierre Coquet
    Oil
    26 x 21
    Signature stamp lower right
  • Pierre Coquet
    The Three Graces Nudes
    Oil
    17 x 17
    Signature stamp lower right
  • Still life (cubist style)
    Pierre Coquet
    Still life (cubist style)
    Oil
    27 x 26
    Signature stamp lower right
  • Pierre Coquet
    Oil
    26 x 20
    Signed lower left
  • Still life near an easel
    Pierre Coquet
    Still life near an easel , 1987
    Oil
    27.5 x 20
    Signed lower left
  • Place Pradier
    Pierre Coquet
    Place Pradier
    Oil
    31 1/2 x 31 1/2
    Series: Paris
    signed lower left
  • Immeubles
    Pierre Coquet
    Immeubles
    Oil
    25 3/4 x 20
    Series: Paris
    signed lower left
  • The big window
    Pierre Coquet
    The big window
    Oil
    25 1/2 x 20 1/2
    Series: Paris
    signed lower left
  • Pierre Coquet
    Oil
    29 x 21
    Series: Paris
    signed lower left
Biography
Sincere and modest in equal measure, Coquet consistently returned to figuration, finding his truest expression in the still life — believing that all painters share the same difficulty of expressing unspeakable feelings through paint.

Pierre Coquet was born in Limos, in the south of France, in 1926. From 1942, he trained under Antoine Chartres, Henri Vielly, and René Chancrin at the École des Beaux-Arts in Lyon, graduating in 1945.

Upon completing his studies, Coquet joined Sanzisme — a movement whose name, meaning "without-ism" in French, declared its founding principle: a refusal to be defined by any single artistic doctrine. Bringing together a generation of artists all under thirty, Sanzisme occupied a fertile space between figuration and the revival of abstract form. The movement's first exhibition took place in a Lyon chapel in 1948, the same year Coquet married Françoise Juvin, a fellow Sanziste he had met at the Beaux-Arts. Among the movement's most celebrated painters were Jacques Truphémus, Jean Fusaro, André Cottavoz, and Paul Philibert-Charrin, alongside Coquet himself.

In 1949, Coquet participated in the exhibition "Eleven French Painters" at the Athénée Museum in Geneva, alongside Truphémus and Fusaro. The following year, a meeting with Alexandre Garbell proved deeply encouraging, drawing Coquet into the vibrant artistic milieu of the Boulevard de Clichy in Paris.

His work evolved through a range of subjects and approaches — object assemblages recalling the quiet meditations of Morandi, figures in everyday situations, the rooftops of Paris, and the boats and beaches of the southern French coast. Though he explored abstraction, Coquet consistently returned to figuration, finding his truest expression in the still life. Sincere and modest in equal measure, he believed that "all painters meet the same difficulty in trying to express unspeakable feelings through painting. Everything is possible provided that it is true."