Overview
Everything is possible provided that it is true.
Pierre Coquet was a French painter trained at the École des Beaux-Arts in Lyon, and a founding member of Sanzisme — a post-war movement rejecting artistic doctrine in favour of free expression between figuration and abstraction. Associated with Jacques Truphémus, Jean Fusaro, and André Cottavoz, he exhibited internationally from the late 1940s and went on to develop a quietly powerful body of work spanning still lifes, Parisian rooftops, and the landscapes of southern France. His practice was guided by a deeply held conviction: "Everything is possible provided that it is true."
Works
  • Pierre Coquet
    Oil
    29 x 39 1/2 in
    73.7 x 100.3 cm
  • Pierre Coquet
    Oil
    30 x 24
  • Pierre Coquet
    Oil
    27.5 x 21
  • Pierre Coquet
    Oil
    24 x 30 in
    61 x 76.2 cm
  • Pierre Coquet
    Oil
    30 x 26 in
    76.2 x 66 cm
  • Pierre Coquet
    Oil
    39.5 x 27.5
  • Still life ( cubist style)
    Pierre Coquet
    Still life ( cubist style)
    Oil
    26 x 39 in
    66 x 99.1 cm
  • Pierre Coquet
    Oil
    53 x 49
  • Pierre Coquet
    Oil
    36 x 23.5
  • Pierre Coquet
    Oil
    29 x 27.5
  • Pierre Coquet
    Oil
    39.5 x 33.5
  • Pierre Coquet
    Oil
    3 x 39 in
    7.6 x 99.1 cm
  • Still life with pears
    Pierre Coquet
    Still life with pears
    Oil
    20 x 29 in
    50.8 x 73.7 cm
  • Nudes
    Pierre Coquet
    Nudes
    Oil
    30 x 36 in
    76.2 x 91.4 cm
  • Pierre Coquet
    Oil
    20 x 26 in
    50.8 x 66 cm
  • Pierre Coquet
    Oil
    21 x 26 in
    53.3 x 66 cm
  • Still life (cubist style)
    Pierre Coquet
    Still life (cubist style)
    Oil
    26 x 27 in
    66 x 68.6 cm
  • Pierre Coquet
    32x30
  • Pierre Coquet
    Gouache on paper laid on canvas
    25 1/2 x 19 1/2
  • Nature Morte
    Pierre Coquet
    Nature Morte
    Oil on Hard Cardboard
    25 1/2 X 19 3/4
  • Abstract
    Pierre Coquet
    Abstract
    Oil on Hard Cardboard
    9 3/4 x 25 1/2 in
    24.8 x 64.8 cm
  • Pierre Coquet
    Oil on Hard Cardboard
    21 1/4 x 28 3/4 in
    54 x 73 cm
  • Pierre Coquet
    Oil on Canvas
    25 3/4 x 32 in
    65.4 x 81.3 cm
  • Pierre Coquet
    Oil on Hard Cardboard
    27 1/2 x 39 3/8 in
    69.8 x 100 cm
  • Pierre Coquet
    Oil on Paper
    19 5/8 X 25 5/8
  • Pierre Coquet
    Oil on Paper Laid on Canvas
    27 3/8 x 19 5/8 in
    69.5 x 49.8 cm
  • Pierre Coquet
    Oil on Paper
    25 3/4 X 19 3/4
  • Pierre Coquet
    Oil on Paper
    24 3/4 X 19 3/4
  • Pierre Coquet
    Oil on Paper
    25 5/8 X 19 3/4
  • Pierre Coquet
    Oil on Paper
    19 3/4 X 25 5/8
  • Nature Morte
    Pierre Coquet
    Nature Morte
    Oil on Paper
    18 1/4 X 23 7/8
  • Pierre Coquet
    Oil on Paper
    39 3/8 X 28 7/8
  • The big window
    Pierre Coquet
    The big window
    Oil
    25 1/2 x 20 1/2
    Series: Paris
  • Pierre Coquet
    Oil
    21 x 29 in
    53.3 x 73.7 cm
    Series: Paris
Biography
Sincere and modest in equal measure, Coquet consistently returned to figuration, finding his truest expression in the still life — believing that all painters share the same difficulty of expressing unspeakable feelings through paint.

Pierre Coquet was born in Limos, in the south of France, in 1926. From 1942, he trained under Antoine Chartres, Henri Vielly, and René Chancrin at the École des Beaux-Arts in Lyon, graduating in 1945.

Upon completing his studies, Coquet joined Sanzisme — a movement whose name, meaning "without-ism" in French, declared its founding principle: a refusal to be defined by any single artistic doctrine. Bringing together a generation of artists all under thirty, Sanzisme occupied a fertile space between figuration and the revival of abstract form. The movement's first exhibition took place in a Lyon chapel in 1948, the same year Coquet married Françoise Juvin, a fellow Sanziste he had met at the Beaux-Arts. Among the movement's most celebrated painters were Jacques Truphémus, Jean Fusaro, André Cottavoz, and Paul Philibert-Charrin, alongside Coquet himself.

In 1949, Coquet participated in the exhibition "Eleven French Painters" at the Athénée Museum in Geneva, alongside Truphémus and Fusaro. The following year, a meeting with Alexandre Garbell proved deeply encouraging, drawing Coquet into the vibrant artistic milieu of the Boulevard de Clichy in Paris.

His work evolved through a range of subjects and approaches — object assemblages recalling the quiet meditations of Morandi, figures in everyday situations, the rooftops of Paris, and the boats and beaches of the southern French coast. Though he explored abstraction, Coquet consistently returned to figuration, finding his truest expression in the still life. Sincere and modest in equal measure, he believed that "all painters meet the same difficulty in trying to express unspeakable feelings through painting. Everything is possible provided that it is true."