Overview
Precision, formal discipline, and a sustained enquiry into the relationship between form and space.
Yves is a French sculptor, draughtsman, and engraver whose lifelong practice is defined by precision, formal rigour, and an innovative approach to traditional technique. His work was included in the prestigious exhibition From Bonnard to Baselitz at the Bibliothèque nationale de France in 1992, affirming his place among the significant figures of twentieth-century French art. He continues to live and work in Paris.
Works
  • Yves Jobert
    Etching
    15 X 11
    3 of 5 editions
    Epreuve d'Artiste
  • Yves Jobert
    Etching
    26 x 20
  • Yves Jobert
    Charcoal
    25 X 19
    Epreuve d'Artiste
  • Yves Jobert
    Ink
    16.5x 11.75
  • Yves Jobert
    Ink
    16.5x 12
  • Yves Jobert
    Ink
    26.5 x 20
  • Fumée de pipe
    Yves Jobert
    Fumée de pipe, 1960
    Etching
    22 X 14
    6 of 18 editions
  • Réveil de l'humanité médiaute
    Yves Jobert
    Réveil de l'humanité médiaute, 1960
    Etching
    19.5 X 13
    3 of 30 editions
  • Yves Jobert
    Ink
    9.5 X 12.5
  • La Photo du Colonel
    Yves Jobert
    La Photo du Colonel, 1960
    Etching
    15 X 11
    Epreuve d'Artiste
  • Laredo
    Yves Jobert
    Laredo, 1960
    Etching
    15 X 11
  • Yves Jobert
    Etching
    15 X 11
    Epreuve d'Artiste
  • Assis avec un chafeau
    Yves Jobert
    Assis avec un chafeau, 1960
    Etching
    19.5 X 12.75
    Epreuve d'Artiste
  • Yves Jobert
    Ink
    25 X 19
    Epreuve d'Artiste
  • Yves Jobert
    Etching
    11 X 7
    7 of 63 editions
  • Yves Jobert
    Etching
    11 X 7
    7 of 63 editions
  • Yves Jobert
    Etching
    11 X 7
    7 of 63 editions
Biography

Born in Paris in 1930, Yves is a sculptor, draughtsman, and engraver whose practice has been shaped by a lifetime's immersion in the cultural life of the French capital, where he continues to live and work.

Across a career spanning the breadth of the twentieth century, Yves has pursued a rigorous and quietly innovative approach to his craft — one defined by precision, formal discipline, and a sustained enquiry into the relationship between form and space. His sculptural work and intricate engravings reflect a deep engagement with the expressive possibilities of traditional technique, pushed consistently toward new territory.

His standing within the French and international art worlds was affirmed in 1992, when he was included in the prestigious exhibition From Bonnard to Baselitz: Ten Years of Enrichment of the Print Room 1978–1988 at the Bibliothèque nationale de France in Paris — a survey that placed his work within the broader continuum of modern French printmaking at its finest.

A significant figure in twentieth-century French art, Yves has left an enduring mark on the fields of sculpture, drawing, and engraving, and his influence continues to resonate among successive generations of artists.